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"Homily - Ann Haberstroh's Memorial Service"

February 21, 2009
Ann Steiger Haberstroh
St. Mark’s Episcopal Church, Glen Ellyn, IL


At this very moment, while we are gathering here at St. Mark’s to remember Ann and give thanks to God for her life, there is another liturgy taking place in lobby of the McAninch Arts Center at the College of DuPage. Since last Tuesday, a group of Tibetan monks has been creating a mandala sand painting on a square 5’x5’ limestone topped table. Mandala is a Sanskrit word meaning “circle” - a representation of wholeness. The highly intricate design of the mandala is first mapped out with chalk on the tabletop. Then over just four days, three monks take turns tapping funnel-like dispensers to release grains of sand, one at a time to create the many colored backgrounds and hundreds of shapes, swirls, circles, symbols and lace-like patterns. As one monk precisely places one, two or three grains of magenta sand in the center of six triangles, another monk taps light blue sand into a perfect sky-like background. The monks to do not speak to each other or to observers. If you close your eyes, you can hear the sound of the tapping, metal rods along the spines of the metal funnels - a music of sorts, similar to but more gentle than a nail running the length of an old-fashioned washboard. The monks finished their work yesterday, completing the mandala’s outer ring, which does not have a definite edge but swirls of openings, where there is no sand and the blackness of the tabletop. At 3 p.m. today, the monks began a deconstruction ceremony. The sand is being swept together, some given to the observers, and the rest to be taken to a nearby river, where it will be poured in as a healing blessing to the world. Something so painstakingly created will not be destroyed but transformed into something unseen - thousands of particles of sand with as many destinations flowing freely beneath the surface of the stream.

It may be a coincidence that a liturgy for Ann and a liturgy for the mandela are happening at the same time. It may not. I ask you to consider how the mandala is like a life, created one moment at a time, one experience, one relationship, one meal, one errand, one book, one day, one month, one year. Our eyesight is focused on the grains and small patterns that appear. I have known Ann for about three years and was able to view the outer ring of her life, which was a shift from intricacies to simplicities, although still with design and meaning. It is not within our ability to get the above view of the entire mandela of Ann’s life in every detail. That is for God alone. But we can get a glimpse of the overall pattern. There are representations of places and images – Oshkosh, Wisconsin, with its rugs and fine china, linens and childhood; Wyoming with horses and cattle; Boston with its ivy, Harvard, typing and shorthand; Colorado with its gardens, clubs, family life and Martha as a baby and young child; Santa Barbara, with its surf, orchids, horticultural expertise and teaching and Martha as a teenager; Wheaton with its puzzles and games, Emily, Adela, Paul, Martha and the Morton Arboretum. Imagine the colors – dark greens and browns of forests and woods, light blues of cloud streaked skies; creams of high plains; red of the Harvard Square brick; purple of orchids, red of lipstick, orange of Halloween crafts and gifts from grandchildren; yellow and brown of toast fresh from the toaster. It is an intricate, complex and breathtaking design. There are threads of joy, sorrow and love throughout. Look again, and you’ll see a deeper theme of faith that is reflected in our sacred stories. We recall the beginning – the story of creation, when the Lord God planted a garden in Eden, and at the same time put there the man whom he had formed. From the very first, man has been in and around the garden. We also look to the story of final redemption, when in a great city, a river will flow from the throne of God down the middle of the street, and a garden will be beside it. At the center of Ann’s mandela is a garden, with plants of the woods, desert and plains - orchids, mushrooms, cone flowers, heath asters, goldenrod and prairie sage. The garden is a symbol of God’s good creation and our place of contentment, and Ann knew that in her soul and wanted to be there. Martha has said that her mother was a “plant” – put her in a location with good soil, water and enough sun, and she’d grow and thrive. Yes, Ann may have been a plant, but one-of-a-kind, with a variety of flowers and leaves of many shapes and colors.

The scriptures we have heard today remind us that nothing is lost. Jesus says, “Do not let your hearts be troubled.” A healthy heart does experience grief and sadness. A troubled heart is one that is plagued by fear. The message of our faith is often stated very simply – “do not be afraid.” Do not fear for Ann, whose life is not irretrievably lost. It is celebrated by God and also by us today. Like the mandela that was so carefully crafted and is being offered to the world as a blessing, Ann’s life was its own sand painting, whose totality is beyond our knowing but still a blessing to all of us. She loved life, and shortly we will celebrate life and hope as we share the Eucharist, which is a glimpse of that heavenly banquet, where with Ann and all of the saints, there will be no more weeping, no more fear, but the colors, fragrance, sights and sounds of a lush garden.

Amen.

 

 

 

 


 

 

 

 

 


 

 

 

 

 


 

 

 

 


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